(People have asked if we’ll ever review TV churches at this blog. This is the first. Our son, Bret, offered to review the churches in the Netflix series, Castlevania. As we always do here, he didn’t review the series, but the church and clergy in the series.)
Castlevania (Netflix original series)
Typically, there are three times you can expect a crowded parking lot at a local church: Christmas, Easter, and when Dracula releases a plague of the undead on the world. Whatever its faults, most people find their local house of God a more than reasonable alternative to bloodsucking enemies of all that is good.
Unfortunately, there’s an exception to almost every rule, and Netflix’s Castlevania shows that, sometimes, going to the local church is not ideal in the event of an invasion from Hell.
The clergy puts up an exceptionally poor showing for most of the four episode miniseries. Not content with being merely incompetent or morally bankrupt, they enthusiastically manage both. We first see a bishop burning a saintly doctor as a witch while she pleads that her persecutors be spared, for they know not what they are doing.
It turns out that burning her was even more of a mistake than you’d expect: she was pleading to her husband, Dracula, who immediately declares war on humanity… after they’ve had a year to clean up and get their affairs in order.
Before the show is over, we’ve seen the corrupt bishop who killed the doctor excommunicate a vampire hunter, plot the murder of an order of charity-minded knowledge seekers, and drive a whole town into a reign of terror even beyond the expected background horror of having demons regularly eat their babies. It is not, needless to say, the Church’s finest hour, or particularly good fodder for any later literary historian to make theories that the writer was secretly a Catholic.
All that said, what’s most interesting in the show’s depiction isn’t what it says, but what it doesn’t say. It’s not unknown for horror films to show priests as deeply corrupt, or the Church as more of a hinderance than a help. However, most films in that vein go further, showing that the God they worship is non-existent, or is another monster as horrible as the supposed enemy.
Not true here. It’s made very clear that the villains have fallen away from their faith. The archbishop indulges in the pleasures of the flesh; the bishop wants to remain on Earth, clinging to power rather than move on to the presence of God; and in a rather memorable scene late in the series, a demon declares that the church the bishop hides in is no defense, an empty box, because the man has rejected God in his heart. His monstrous actions stink to heaven, leaving the God of love with nothing but disgust for the man who claims to speak for him. (The demon, on the other hand, claims to love the bishop. The demon loves him enough to give him a kiss/bite his head off.)
In the end, a priest who hadn’t been a participant in any of the most questionable actions was even able to prepare holy water against the demons, aiding hero Trevor Belmont in his attempts to save the city. In the end, God is good. It’s just his people who are awful.
I wouldn’t say that Castlevania is anywhere close to a theologically guidepost (honestly, I’d say the church portion of the plot is the least interesting part of the show, with the villains being much less interesting characters than Dracula OR any of the heroes), but it is a decent reminder of Matthew 7:21. “Not every one that saith unto me, Lord, Lord, shall enter into the kingdom of heaven; but he that doeth the will of my Father which is in heaven.”
It’s vital that those who claim to follow Christ live up to it -- even when there aren’t any signs of Draculas. The church in Castlevania earns our lowest rating of One Steeple.