Showing posts with label Sam Rockwell. Show all posts
Showing posts with label Sam Rockwell. Show all posts

Friday, April 3, 2020

I Fought the Law Month: Salvation Boulevard

Salvation Boulevard (2011)

I’ve mentioned this before here at Movie Churches, but I think it is probably worth mentioning again: we are not in favor of pastors, or anyone in church leadership, committing murder.

Not that murderers can't be pastors. After all, the Apostle Paul was an accessory to the murder of Stephen. God is capable of redeeming people from all kinds of sins. But once someone is in a leadership role in a church, they really shouldn’t be doing any murdering. We’re pretty hardline about that here at Movie Churches.

Salvation Boulevard (2011, directed by George Ratliff) is a dark comedy about a Southern California megachurch with a pastor who loves power and adoration and inconveniently shoots a debating rival. Pierce Brosnan plays the Reverend Dan Day who resembles Joel Osteen as much as anyone on the current televangelist circuit.

Early in the film, we see Day debating an atheist, Peter Blaylock (Ed Harris) at a college campus. It's a public debate about the existence of God. Blaylock brings up the usual arguments about the Plague and the Spanish Inquisition and 9/11 and asks “Where was God during thousands of years of human suffering?” 

These are the most basic arguments anyone preparing for such a debate should expect (and be ready with a direct answer). Day doesn’t answer the question(s) directly but points to “evidence everywhere you look for God’s existence, in law, nature, culture” and in “the faces I know here.”

Day points out a man in the crowd, Carl Vandermeer (Sam Rockwell), a former Deadhead who joined his church. For years, Carl had followed the Grateful Dead, taking “lots and lots and lots of drugs.” Day says that Carl has now found that “true happiness comes from submitting to God’s perfect plan for us.” Carl has “the fingerprints of God all over.”

After the debate, Blaylock asks Day to join him for a drink in his faculty office. He asks if Carl can come along as well. (It is interesting that the issue of the propriety of alcohol on campus -- or being consumed by clergy -- is not raised by Day or Blaylock.) In the office, Blaylock shows Day an antique gun and offers to let Day examine it. As Blaylock proposes that he and Day work on a book together, Day, playing with the gun, accidentally shoots Blaylock in the head.

Carl says they must call 911 immediately, but Reverend Day says, “No,” there are things too important to risk. Such as the groundbreaking of City on a Hill, a project that includes a cathedral, a law school, and medical school. Day puts the gun in Blaylock’s hand so his death will look like a suicide, then tells Carl to call 911 from a payphone (I guess you could still easily find those ten years ago) and claim to have heard a gunshot from a campus office and hang up. Carl does what Day tells him.

We soon learn that Blaylock is not dead but in a coma. The Reverend Day tries to continue with life as usual. We see him lead a worship service at The Third Millenium Church. As one would expect in a contemporary megachurch, there is a large camera crew, talented but banal worship band, and gaudy stage decorations. The most disappointing thing about the service is Reverend Day's preaching. It is pure affirmation, and though the name of Jesus is mentioned, no Scripture is read or even referenced. I don’t recall the Reverend quoting Scripture in any way throughout the film.

After the service, Carl's wife Gwen (Jennifer Connelly) approaches the Reverend with a project she and a friend would like the church to support: a movie theater that shows only Christian films. (I have grave doubts about the profitability of such a project, but if anyone wants to give it a go, www.MovieChurches.com would be the ideal place to use your advertising dollars.)

The Reverend Day needs a fall guy for Blaylock's shooting, so he accuses Carl. He also asks his chief video assistant and right-hand man, Jerry (Jim Gaffigan), to kill Carl. 

As Jerry leads Carl into the wilderness, he talks about Abraham’s near-sacrifice of his son, Isaac. Carl sees where this is going, and knocks Jerry out before he can kill him.

Carl is now on the run, so he can't escort his stepdaughter, Angie (Isabelle Fuhrman), to the church’s “Purity Ball.” Fathers take their daughters to this rather odd event, a dance where the daughters make a commitment to remain “pure” until marriage. Because Carl is on the run, being accused of attempted murder and all, the Reverend Day, in a quite creepy maneuver, takes Angie to the dance.

The Reverend goes to visit Peter Blaylock at the hospital. He's obviously considering finishing Peter off, but can’t bring himself to do it. Instead, he confesses to the comatose professor, claiming the devil made him do it.

Spoilers - the truth does eventually come out and justice is done. Professor Blaylock comes out of his coma and fully recovers. The Reverend Day is sent to prison where he begins a ministry. 

After he gets out, he goes into real estate. In the end, he isn’t actually a murderer. About the worst he could be charged with is attempted manslaughter, but that still goes against Paul’s instruction in I Timothy 3 that an overseer should be “not violent but gentle.” 

I rather hope The Third Millennium Church disbands. It seems like (at best) a Two Steeple Church on the Movie Churches scale, and the Reverend Day brings it down to One Steeple. This is not the place I’d send people to seek salvation, I would suggest a different boulevard.

Thursday, December 26, 2019

Big 2019 Film Wrap-up

It’s still the holiday season here at Movie Churches (remember the 12 Days of Christmas began on the 25th), so we’re taking a break from the usual format. For this week we are not evaluating churches and clergy in films, but just looking back at new movies released during 2019. I’ll start with my ten favorite films of the year, then my five least favorite. With a nod to our usual content, I'll tell you the best church in a 2019 movie, and then -- if you're still reading -- all the 2019 films I saw this year in theaters, streaming, or on DVD.

Top 10 Films Released in 2019
#10 - Crawl If you see just one 2019 movie about alligators loose in a hurricane, make it this one. I like scary movies, and this one has good jump frights with a touching father/daughter story as a bonus.
(Rated R for violence and language)

#9 - Unplanned I try to put a Christian film on the "good" list when I can, but it's usually difficult because Christian films are so often very awful. This film -- about a woman who worked for Planned Parenthood with enthusiasm but who comes to understand the dark side of the organization -- follows the grand tradition of whistleblower films. Though it does have one cartoon villain, overall it seeks to give balance to both sides of the abortion debate.
(Rated R for disturbing images)

#8 - Ladies in Black Bruce Beresford directed what may be my all-time favorite film about faith, Tender Mercies, so I was glad to see him at work again. This is a nice little film about women working at a department store in Sydney in 1959. Pleasant characters to spend a couple of hours with.
(Rated PG for language and smoking)

#7 - The Best of Enemies 2019 was a great year for Sam Rockwell. He shows up on another film on this list, and he was also very good in Richard Jewell (where he played a tenacious attorney defending a hero painted by the FBI and the media as a villain). But the best Sam this year was in this film, where he portrays a KKK leader forced to work with an African American woman (Taraji Henson) to desegregate schools in 1971 Durham, North Carolina. It's a powerful true story that I might return to because it does have some very good clergy.
(Rated PG-13 for language and violence)

#6 - Avengers: End Game Up to now, I’ve been trying to include films that readers might not have heard of, pointing y’all to new things. With this one, any reader who might be interested has probably heard about this film and more than likely has watched it. However, by taking a decade of Marvel films and bringing the long saga to a satisfying conclusion, this movie achieved something significant. Recent Star Wars films prove this is a difficult task.
(Rated PG-13 for language and violence)

#5 - The Farewell  One of my daughters is a big fan of Awkwafina, and this film won me over as well. It's the story of a Chinese family trying to keep their grandmother from knowing she has a terminal cancer diagnosis. The story is often funny, but it's also thoughtful about cultural differences and issues of integrity.
(Rated PG for language and smoking)

#4 - Jojo Rabbit Sam Rockwell makes an appearance again, but not as a Klansman. This time, he's a Nazi (apparently he's not concerned about typecasting). Writer/director Taika Waititi boldly makes a comic film about the final days of Nazi Germany, focusing on a child who has made Adolf Hitler (Waititi) his imaginary friend. Very funny and at times completely heart-wrenching.
(Rated PG-13 for disturbing images, violence and language)

#3 - Yesterday Director Danny Boyle (Millions) and screenwriter Richard Curtis (Four Weddings and a Funeral) tell a strange fable about a man who finds himself in a world where the Beatles have been forgotten. Jack (Himesh Patel) sees a path to fame and fortune by presenting himself as the creator of "I Want to Hold Your Hand" and "Let It Be." The film has interesting things to say about creativity for artists who always owe a debt to their predecessors.
(Rated PG-13 for suggestive material and language)

#2 - Once Upon a Time... in Hollywood There are many people who can’t stand Quentin Tarantino, and I can understand that. His films are violent and vulgar, and QT is a pop-culture vulture. But I found this film very funny and oddly touching. Set in the ’60s, it follows TV star Rick Dalton (Leo DeCaprio) and his buddy/stuntman Cliff Booth (Brad Pitt), who stumble into an encounter with the Manson family. Booth’s contest with martial arts icon Bruce Lee (Mike Moh) was my favorite scene in a movie all year.
(Rated R for violence, sexual material and language)

#1 - Parasite My favorite filmmakers, the Coen Brothers, didn’t make a film this year, but South Korean writer/director Bong Joon Ho made a film very much in the tradition of Fargo. A very poor family finds a way to work themselves in the home and life of a well-to-do family. At turns funny and very dark, this is a film you should not read about in advance. Just watch it. It was so nice to be surprised in the theater.
(Rated for language and violence)

Least Favorite Films of 2019

#5 - Triple Frontier  Like many Netflix creations, it was confusing figuring out whether this was primarily a movie or a TV show. This was a problem of expectations. I love guy heist films, but this had so many gaps in logic it drove me crazy.
(Rated R for language and violence)

#4 - It Chapter Two This is another film that had great problems with expectations. The first film, It, I liked very much, especially its delightful cast of children. The adults taking over the same roles in this sequel don’t do as well, and the plot is just a mess.
(Rated R for language and violence)

#3 - The Fanatic John Travolta gives an offensive performance as a mentally challenged person who adores and then abducts a movie star. I never thought that anything would make me wish that Fred Durst of Limp Bizkit would go back to music, but his writing and directing of this film nearly does that very thing.
(Rated R for violence and language)

#2 - Overcomer - I mentioned earlier that most Christian films are bad, and this is a prime example. It takes the trope of Christians having success in every field of life to the limit, with a freshman high school girl with asthma going to the state championship in track and field (by cheating). You know, moviemakers, some Christians fail at stuff.
(Rated PG for something or other)

#1 - Late Night I like Emma Thompson a lot, but this was not her year. If I'd been guessing what film she was in would make this list, I'd have guessed Last Christmas, but this film was worse. It tells the story of a long-time female late-show host who finds a way to become relevant again by making her comedy more political. If there is anything we don’t need in this world, it's more political division and sarcasm. Just a slog.
(Rated PG-13 for language)

Best Church in a 2019 Film
The New Temple Missionary Baptist Church of Los Angeles in the film, Amazing Grace. This documentary about Aretha Franklin making an album in a church was filmed in 1972, but was not released until this year. I want this kind of music program in my church.


All the 2019 films I saw this year (Most likely I missed some winners)
In Theaters:
They Shall Never Grow Old (2019ish)
Run the Race
Captain Marvel

Unplanned
Us
Shazam!
Amazing Grace
Avengers: End Game
Tolkien
Dark Delicacies - Short films collection (Count Your Curses, Madame, Coda Sacra, For Neesa, Nymphs, Other Side of the Box, Spirit #1, Helsinki Mansplaining Massacre)
Yesterday
Toy Story 4
Spider-Man: Far from Home
Apollo 11
John Wick 3: Parabellum
Crawl
Once Upon a Time in Hollywood
The Farewell
Ready or Not
Overcomer
Blinded By The Light
It Chapter Two
Scary Stories to Tell in the Dark
Rambo: Last Blood
Joker

Western Stars
Parasite
Jojo Rabbit
Ford v. Ferrari
Last Christmas

Richard Jewell

DVD or Streaming
Under the Silver Lake (Amazon)
Triple Frontier (Netflix)
The Highwayman (Netflix)
The Hole in the Ground (Amazon)
Serenity (Amazon)
Cold Pursuit (DVD)
Artic (Amazon)
Escape Room (DVD)
A Vigilante (Amazon)
Ladies in Black (Amazon)
Late Night (Amazon)
Alita: Battle Angel (DVD)
Little Monsters (Hulu)
Dragged Across Concrete (DVD)
The Best of Enemies (DVD)
Dolemite is My Name (Netflix)
The Professor and the Madman (DVD)
Child’s Play (DVD)
The Irishman (Netflix)
The Fanatic (Amazon)
The Boy Who Harnessed the Wind (Netflix)
Diane (Hulu)
Marriage Story (Netflix)
The Last Black Man in San Francisco (Amazon)
Brightburn (DVD)
Ma (DVD)
Stuber (DVD)