Remembering Carol Lynley: Flashback to The Poseidon Adventure

Actress Carol Lynley passed away last week at the age of 77. Not that you really wanted to know, but she was a childhood crush of mine. I first saw her television, probably her guest spot on The Big Valley. I might have seen her next on The Night Stalker, a made-for-TV movie, but she was featured in movies before she did that TV work. Films like Harlow, The Shuttered Room, Bunny Lake is Missing, and The Cardinal (featured recently at Movie Churches) were among her credits. 

I first saw her on the big screen was when my brother Dale and I went to see The Poseidon Adventure. This was a big deal for us. It was the first GP rated film we saw without our parents. (Before there was PG, there was GP. Before that, it was M.) The film featured her as Nonnie, who sang the Oscar-winning "There's Got to Be a Morning After." I was in love. (The mini skirt may have had something to do with it. I know I shouldn't be admitting such things here at Movie Churches, but transparency is important.) Anyway, this seems as good a time as any to post this review that was featured first at Dean and Mindy Go to Church.

The Poseidon Adventure (1972)

I loved this movie as a kid. I thought it was pretty great. I watched it yesterday and it's still pretty great. It's just when I saw it as a kid I thought it was actually, you know, good; "camp" and "kitsch" most likely to be used to describe the film these days. But "entertaining" certainly still applies. The scene where the dining hall is turned upside down when the ship is hit by a tidal wave is still pretty amazing and I can't see CGI improving it. I still can't decide whether the dire circumstances used to disrobe the beautiful women in the cast are amusing or appalling. And I'm pretty sure Nonnie's brother in the band that sings the Oscar-winning "There's Got to Be a Morning After" is the first screen appearance of Derek Smalls from Spinal Tap.

But, as per usual here, I'm not writing about the film, but the clergy in the film. In The Poseidon Adventure, there are two. One of them seems like a pretty decent pastor. The other, judging him by his theology, is one of the worst pastors in screen history (and I'm including the cinematic clergy serial murderers with that).

RIP Carol Lynley

Before disaster strikes the good ship SS Poseidon, we see two clergymen in conversation. Arthur O'Connell plays Chaplain John, an old priest concerned about the young rebel, Reverend Scott (played by Gene Hackman). Reverend Scott hasn't quite been defrocked for his heretical views, but he is being shipped by his superiors to Africa. Whatever denomination he belongs to, they should probably reconsider their policy of sending heretics to the mission field.

We hear a sermon Reverend Scott delivers to his fellow passengers on the ship. In the sermon, the Reverend assures his listeners that God doesn't really care about them. He is concerned about the big picture, getting humanity to some great place beyond our comprehension. The individual is only important as a link from the past to this glorious future. (I'm sure most dictators and sociopaths are quite comfortable with this viewpoint.)

Prayer is a waste of time according to the good Reverend because God expects us to fight for ourselves. Scott talks about his childhood in the slums when you had to fight to feed yourself and keep warm and couldn't waste time on your knees. He is a man of action, which is why he fits in this category. When disaster strikes the ship, the Reverend Scott takes it upon himself to lead any passengers who will follow him to the safety of the ship's hull (you see, due to the tidal wave, down is up and up is down). He doesn't want to waste time with the weak folks who don't have the will or constitution to attempt an escape.

But Chaplain John does take time for the sick and injured. He stays behind with the weak to comfort and care for them. He dies caring for them, just as Jesus called His people to do. I'd certainly consider going to Chaplain John's church.

Though the Reverend Scott disparages prayer, he does talk to God eventually in the film. He blames God for his troubles, yelling at Him, "I don't expect you to do anything for me, but you don't have to fight against me!" He calls his companions who die on the journey through the ship "sacrifices" that God demands. He seems wholly unaware of God's sacrifice of His Son. But in the end, Scott sacrifices himself, so he's not all bad.

Still, Scott is at best a Two Steeple Pastor.

Take Me Down to Vatican City Month: The Cardinal

The Cardinal (1963)
I'm sad to report that though it's Pope Month here at Movie Churches, you never see the Pope (or the Popes) in the 1963 film The Cardinal, though much of the film takes place in the Vatican and the pontiff(s) is(are) referred to (but never by name and you never see them). Since the film begins toward the end of World War I (1917) and goes through the beginning of World War II (1940), three popes, Benedict XV, Pius XI, and Pius XII led the Roman Catholic Church, but we don’t hear those names in the film. It reminds me of films where “The President” is discussed -- but not by name. Or Ben Hur where Jesus is talked about, but we never see His face.

So this is a Pope film without a Pope, but we do get (as you probably guessed from the title) a Cardinal. The film opens with the Cardinal’s commissioning service, and the vast majority of the film is a flashback to events in the life of Steven Fermoyle, the man being commissioned.

The film obviously isn't relying on the suspense of who the Cardinal will be...We know it’s Steve. And there’s no suspense about what will happen to Steve...He’ll become a Cardinal.   

Since we don’t have that suspense, perhaps we’ll be drawn in by the charismatic leading performance of… Tom Tryon. From what I could find, this was Tryon’s one big starring role in a film (though he was the star of The Magical World of Disney’s mini-series about Texas John Slaughter. The theme song went, “Texas John Slaughter made ‘em do what they oughta, and if they didn’t, they died.” That's how they made kids' shows back in the day.)

What did this movie have to offer? 

Director Otto Preminger was known for making movies about bold social issues, and this film takes on a bunch of them. The flashbacks begin with Steve coming back to Boston after studying in the Vatican. He finds his sister, Mona (Carol Lynley), is dating a Jewish man (John Saxon). Through Mona's story,  we face the significant issues of premarital sex, interfaith marriage, and abortion. Dealing with these issues causes Steve to question his faith. He wants to leave the priesthood but is given a leave of absence from the ministry to consider if he wanted to remain a priest.

Then we get an intermission. (Because like the Pope films for the last two weeks, this film was designed as a Roadshow Attraction with an intermission, with intermission music. Because theaters need to sell popcorn.)

Returning from intermission we see Steve in civilian clothes as a high school teacher in Vienna. A beautiful woman, a teacher named Annemarie (Romy Schiender), falls in love with him, not knowing he is a priest. Steve must decide whether to keep his vow of celibacy, which leads Steve to return to the priesthood because God is his true love. He returns to serve in the Vatican, as a liaison for American relations.

Once back in the priesthood, Steve must face two more big issues. The first is racism. A Catholic school in Georgia won’t allow black students in. Steve goes to investigate for himself after an African-American Catholic church is burned. He confronts bigotry while coming to the aid of a young black priest (Ossie Davis). Frankly, I would have liked the film better if this was the only story. though the way it was told seemed anachronistic. The protest signs, “God’s Law is Segregation” and “Keep Our Catholic Schools White” seem to be out of the 1950s and 1960s rather than the 1930s, but I could well be wrong about that. Steve fights to get the Pope to take a stand, but he must work through the Cardinals to present the case.

The final big issue Steve must deal with is Fascism. The Vatican sends him to Vienna again, just after the Anschluss (Nazi Germany’s invasion of Austria). The Austrian Bishop welcomes the German troops with the ringing of church bells. The Austrian people must vote on a plebiscite to determine whether they want to live under German rule. The Vatican orders the Austrian Bishop to remain neutral on the issue, but instead, the Bishop publicly gives a Heil Hitler salute and encourages priests throughout the country to support the Nazis, because he believes Hitler's promise that the Catholic Church in Austria will be left alone. Hitler immediately reneges on his promise after the plebiscite is approved by the Austrian people.

With war approaching, Steve is made a Cardinal. He preaches at his commissioning ceremony, “Freedom is America’s creed and at the heart of the Gospel… Pray for me that I might not falter, and pray for our beloved country.” Steve, the Cardinal, is sent back to America, and the film concludes. So, if you are looking for pro-American clergy, Steve is your guy.

Every week, we rate the clergy and/or church in a film, examining their approach to ministry. So, to begin with, let’s look at how Cardinal Steve approaches those significant social issues tackled in the film.

Pre-marital sex - Steve condemns it as sinful.

Inter-faith marriage - Steve is okay with it, as long as the non-Catholic spouse agrees to not interfere with the faith of Catholic spouse, or have anything to do with the religious education of the children (so standard Catholic take)

Abortion - Steve, as the family member making the medical decision, doesn’t okay an abortion for his sister’s health (sister dies, baby is saved).

Celibacy for priests - He’s for it

Fascism - He’s against it.

Racism - Stands with Scripture in opposition to it.

So, Steve’s positions on these various issues are reasonably consistent with the teaching of the Roman Catholic Church in the first half of the 20th Century.

What I found troublesome was Steve’s take on salvation. We see him teaching a Sunday School class of middle schoolers. Two boys approach Steve, asking him to settle a bet. “Joe says only Catholics can go to heaven. Why can’t Protestants go to heaven?”

Steve asks the class what they think. Someone calls out, “Because they ain’t Catholics.” The class murmurs agreement. And Steve tells them, “You’re all wrong. The Catholic Church teaches anyone: Catholic, Protestant, Mohammedan, Jew, who does God’s will according to his conscience will go to heaven.” There is a problem with this, which comes from the Apostle Paul quoting the Psalmist in Romans 3 talking about Jews and Gentiles:

“There is no one righteous, not even one; there is no one who seeks God. All have turned away, they have become worthless; there is no one who does good, not even one.” Paul goes on to say, “There is no difference between Jew and Gentile.” (You could fairly replace this with ‘There is no difference between Catholic and Protestant.’) “For all have sinned and fall short of the glory of God, and all are justified freely by His grace through the redemption that came by Christ Jesus.”

So while Steve is talking about salvation through people’s conscience, Paul says that's hopeless, and salvation comes only through the grace of Jesus. This brings Steve down a full Steeple in the Movie Churches rating system. But since he's anti-Ku Klux Klan and anti-Hitler (half of which might have been bold stands in 1963), we’re giving Cardinal Steve three out of four steeples.